Volume 54 (2016)

Issue 1: Spring 2016

Introducing Cartoons by Andrea del SartoFurio Rinaldi
From Drawing to Print: A Collaboration between Charles Le Brun and Sébastien Le ClercAlvin L. Clark, Jr.
Sixteen New Drawings by Louis Licherie from an Unpublished Album in the École des Beaux-ArtsMarijke Michielin
Guy-Louis Vernansal: New Drawings and Related PaintingsFrançois Marandet
A New Watteau Drawing after an Italian Landscape, Discovered in the Musée des Arts Décoratifs, ParisDavid Pullins
"Full of truth and simply arranged": Wilhelm von Kaulbach's Portrait of the Amsler FamilyMark Evans and Lucie Page
Alphonse Wyatt Thibaudeau and His Manuscript for a "Dictionary of Marks and Monograms of Amateurs" Laurence Lhinares
REVIEW - Andrea del Sarto: The Renaissance Workshop in Action, exh. cat. by Julian Brooks,
with Denise Allen and Xavier F. Salomon
George R. Goldner
REVIEW -Castiglione: Lost Genius: Masterworks on Paper from the Royal Collection,
exh. cat. by Timothy J. Standring and Martin Clayton
Andaleeb Badiee Banta

Issue 2: Summer 2016

The Drawings of Raffaellino Motta da ReggioMarco Simone Bolzoni
"Gottesche, Arabeschi, and Calligrafia:" A Drawing by Antenore Ridolfi in the Metropolitan Museum of ArtRick Scorza
Two Red Chalk Drawings in the Uffizi by Agostino (not Annibale) CarracciMary Vaccaro
On Stefano Volpi as a DraftsmanMarco Ciampolini
The Last Chiaroscuro of Lorenzo PasinelliMichele Danieli
REVIEW - L’Oeil et la Passion 2: Dessins italiens baroques dans les collections privées françaises,
exh. cat. by Catherine Monbeig Goguel et al.
Cristiana Romalli
REVIEW - La Poesia della Luce: Disegni veneziani dalla National Gallery of Art di Washington /
The Poetry of Light: Venetian Drawings from the National Gallery of Art, exh. cat. by Andrew Robison
John Marciari

Issue 3: Fall 2016

A New Drawing by Rembrandt: Study of a Seated DogThomas Döring
Another Copy after Pieter Coecke van Aelst, Attributable to His WorkshopVirginie D'Haene
A Chariot Design by Bartholomeus SprangerStijn Alsteens
“From Memory or Otherwise”: A Portrait Drawing by Jan Mostaert?Ilona van Tuinen
REVIEW - "Drawing in the Twenty-first Century: The Politics and Poetics of Contemporary Practice", ed. by Elizabeth A. PergamIsabelle Dervaux
REVIEW - À l’ombre des frondaisons d Arcueil: Dessiner un jardin du XVIIe siècle, exh. cat. by Xavier Salmon et al.Perrin Stein

Issue 4: Winter 2016

Asher B. Durand’s Sketchbooks in the New-York Historical SocietyRoberta J.M. Olson
The Portrait of Fragonard by Jacques-Antoine-Marie LemoineMarie-Anne Dupuy-Vachey
Domenico Tiepolo's Early Preparatory Study for an Etching by Crescenzio RizziDenis Ton
"Il Vero modo del ben operare:" A First Encounter with the Draftsman Gaspare CelioSurya Stemerding
REVIEW - "La linea continua: Disegni antichi dei Musei Civici di Reggio Emilia", exh. cat edited by Alessandra Bigi Iotti and Giulio ZavattaFurio Rinaldi